Despite these challenging times, I plan to remain open for business. I hope to use my new found spare time to keep the website moving by posting research snippets in the News section so watch out for those.
I wanted to let you know that I have decided to withdraw from The Open Art Fair and therefore will NOT be exhibiting. The Fair is continuing and will open as planned on Wednesday the 18th March. The Peartree Collection tickets are still valid.
My decision is an entirely personal one, taken in conjunction with my family, and in the light of increasing concerns over the Coronavirus and the steps necessary to stop its advance.
If you are interested in any item of stock, I will of course be available online and by phone. Subject to how the virus develops, I am always readily available and happy to meet privately to show items. Normality will undoubtedly return and when it does I will find alternative opportunities to exhibit.
Country Life features the forthcoming Open Art Fair (previously BADA fair) in this week’s issue and I am very proud to say that The Collection’s Georgie Gaskin necklace is featured as one of the highlights. The full article can be read at this link.
Shirley Mueller, a US neuroscientist and collector, has written in today’s ATG “Collecting gives meaning to life [sorry kids] and gives life a spark, in contrast to the day to day drudgery of life. It encapsulates the thrill of the chase and is overall a very pleasant experience. I believe collectors are lucky. We have a passion that drives us”. Never a truer word said.
Whilst trawling through the British Newspaper Archives (as you do on a dull day over Christmas), I found an unlikely letter in the London Evening Standard written by the one and only Archibald Knox, whilst still in the Isle of Man, dating to 1893. The letter concerns Knox’s regret, even anger, at the demise of the main Peel Cathedral, a theme that was a constant throughout his life. Whilst it is hard to square Knox’s modernist design brilliance with his traditional faith, he clearly found no contradiction whatsoever in the two, an area worthy of more research.
If you were ever in doubt that Christopher Dresser was a “rock-star” of the decorative arts, see this link for further details on Christies’ recent sale of a plated teapot by Dresser for nearly $400,000. I am delighted to list an entire tea set by Dresser, and in sterling silver, at a fraction of that price. A bargain!
The purchase of a lovely sterling silver teapot marked for N&E Spittle ((Norman and Ernest) set me on the trail of this relatively obscure partnership, mostly known for their copper and bronze lighting and metalwork. It seems their important history has been in part obscured by the early death of Norman and subsequent company name changes. They nevertheless were highly influential on Gustav Stickley’s metalwork in the US, and produced fittings for some of Britain’s most modern buildings in the period 1900-14.